The use of characters playing
themselves in modern day film and television is a format which I feel I should
hate, but often end up loving. A perfect example of this was when I
found out that the co-creator of Seinfeld – Larry David –
had created a follow up sitcom where he played a heightened version
of himself. Curb Your Enthusiasm sounded like a
multimillionaire man giving himself a great big pat on the back by
writing 10 episodes a year of him living his luxurious life. How could such a
show connect with its audiences when David was a stupidly
rich individual who could have pretty much anything he wanted? It
sounded smug and shit. But then I watched it and realised just how
wrong I was. Curb Your Enthusiasm turned out to be one of my
favourite sitcoms. The show’s dialogue was all
improvised; giving David and his co-stars the freedom to take set
pieces into all sorts of weird and wonderful directions. Both David
and the rest of Curb’s cast were on fire; coming out with some of
the crudest and funniest lines ever imaginable in a televised show.
Since the uprising of Curb Your
Enthusiasm, many other television shows have attempted to extract
success from this very format; taking a number of celebrities and
creating fictional/documentary hybrids. The blending of reality and
fantasy have been quite a popular breed of comedy ever since Ricky
Gervais made the world a brighter place with The Office, yet
Larry David has stepped up the game somewhat; pulling real life
individuals further down the rabbit hole of fiction (a move that Gervais also decided to toy around with in Extras and Life's too Short).
Regardless of my love for Curb however,
each time one of these shows or films makes its way into the world, I
always expect it to be a disaster. If not done properly, then it
would be all too easy to end up with a show/film which just continuously
praises the characters at the center of its story. The problem with
celebrities is that the general public don’t usually like them. It
is obvious that they have problems and hurt just like the rest of us,
however their public persona gives many the impression that they live
in a world of gold and happiness. They are rich, have big houses,
fancy cars, beautiful partners and get to dine in the finest
restaurants. If you are making a show about someone with that kind of
life, then it can be all too easy to alienate the casual viewer.
When I saw the trailer for This is
the End several weeks back, once again I was convinced that this
would be the case. The comedic team of Seth Rogan, James Franco, Jonan Hill and co have always been a group who I’ve never possessed much
of a liking toward. Yes, at times I do find each one funny in some way
or another, but over all I find their style exceedingly tiring. The
Judd Apatow inspired body of work is always the same old hogwash; jokes about
male genitalia, jokes about smoking shit loads of pot and jokes about
watching pornography. It’s incredibly adolescent and grows very
repetitive after a while. That’s not to say that I don’t like
these guys. Sometimes I do find myself enjoying some of their movies,
but I really have to be in the right kind of mood. On the plus side,
they are far funnier in my opinion than Adam Sandler and his pathetic
line-up (for the record, I absolutely despise Adam Sandler and his
movies. Honestly, the very thought that such a guy makes a boat load
of money year after year pretty much clarifies to me that there is no
God).
The main problem with my semi-neutral
stance on the adolescent humour of team Rogan meant that I was
immensely skeptical about this film. So skeptical in fact that I
didn’t plan on seeing this one at all. The only reason why I found
myself viewing it was because on Thursday night a bunch of friends who I
hadn’t seen for a while turned up at my house. I have spent the
past several weeks locked in my house, only ever communicating with
the outside world during work office hours, so it was nice to finally
have a conversation with individuals who I genuinely like as human
beings. When they invited me to the cinema that very same evening, I
thought I might as well go along and attempt to keep our friendship
alive. When I found out that we were seeing This is the End however,
I sighed under my breath. Was I about to pay £10 to see Seth Rogan,
James Franco, Jonan Hill and co pat themselves on the back for two bloody hours? Please don’t let this be so.
But guess what? I actually enjoyed this
film. It was certainly nothing special, but I actually laughed an
awful lot during this feature. So ok, the genital/weed/porn humor is all very much there, but this time I just sat back and accepted
it for what it was. The main reason for this, I think, is that the
film really does not take itself seriously at all. It knows
what it is and what it’s doing and just doesn’t give a damn about
that fact. I was never under the impression that the film was trying desperately
to be funny. Instead, it was just cracking jokes which the writers
and actors found funny; giving it a much more relaxed feel. Yes the humor was just as crude and as immature as Superbad, but so what? The
film was having fun with itself. It was catering to that
very audience and was not at all self conscious in doing so.
As for the whole fiction/reality hybrid
of characters playing themselves, I think it worked quite well in
this film. The BBC Radio Five Live critic Mark Kermode was of the
opinion that the feature was just one big self congratulatory
festival for the stars of the film, but I guess I have to disagree here. Rogan, Franco and team seem to be quite happy
to rip their previous bodies of work to shreds and ridicule one
another in a fun and light hearted way. Characters attack Rogan for
his lack of acting diversity, they ironically declare that
acting is a ‘talent’ and James Franco even makes a vicious remark
toward the horrific Your Highness. There’s also a great
scene where Rogan and Franco dream up a plot for a sequel to
Pineapple Express whilst getting high; which they later go on to
film whilst drugged up to the eyeballs. The use of Pineapple Express
2 is incredibly self-deprecating and addresses all the flaws that
critics have pointed out about such works. Films like the Pineapple
Express do often appear to be features which have been dreamed up by
intoxicated minds, so to see the actual creators dreaming up such
concepts in this film is both funny and potentially honest.
But these self-attacks are not
constructive or intellectual forms of criticism. The film isn’t
trying to say something interesting or eye opening about these films;
instead it is nothing more than simplistic name calling between the
leading actors of this film. No one is taking any of this seriously
and no one should. The cast are just trying to have as much fun as
they possibly can with the script and it would appear that this is
exactly what they're having. Everyone seems to be having a great
time filming this; playing around and insulting one another. It is
the Hollywood equivalent of a bunch of mates getting drunk and teasing one another. No one is here to push the envelop or make a
statement; they are simply here to have a bit of fun with one
another.
The idea that the cast are just mucking
about may very well be what makes this film a joy to watch, but it’s
also slightly problematic in several ways. First of all, the fact
that the film doesn’t really have anything to say makes the whole
experience feel little empty. The basic setup of this feature revolves around a bunch comedic actors being themselves whilst the world ends around
them. The backdrop has absolutely no purpose in the story. It’s
just there. It may drive the plot forward, but it really does have no
impact on the overall theme. This makes the whole film
come across as yet another stoned idea which was conjured up by Mr
Rogan. The joke revolving around Pineapple Express 2 almost
feels like the reality of This is the End. Seeing as the whole
rapture backdrop turns out to be pretty pointless, the story quickly
runs out of steam; meaning that the film has to rely on the stars for
a majority of its run. This is not a film about the end of the world,
but about a group of adolescent guys firing jokes back and forth.
But what the heck, as I mentioned
before, I laughed a lot in this film and I enjoyed it more than I
ever expected to. The film may be a little pointless and childish, but I liked watching these guys enjoying themselves whilst
they made a movie. Because despite what I may say about cinema, the
enjoyment of making a film can be just as pleasant as enjoying the
experience of film itself. In a world where most movies are made for
money, it’s nice when we finally come across one that was made for
fun (though saying that, I’m certain that this film was made with
money firmly in mind, but I’m just going to ignore that fact for a
little while).
Or maybe this film was a crock of shit.
Maybe it was just nice to get out of the house once in a while and
the good mood of seeing old friends meant that I was pretty much open
to any form of comedy. I mean I did briefly chuckle at Vince Vaughn gag
during one of the trailers, which never happens, ever…

No comments:
Post a Comment